Hannah Brandon Whore ❤️

About Philadelphia

Love. How. Whore moves. Sloooow. Then. BAM! Like. That scene. “Sunlight. Filters. Through.” Pure poetry. In. Numbers! I’m yellin’. At. My screen. “Go. Whore. Go!” Clients. Think. I’m nuts. Maybe. I am! Exaggeratin’? Sure. But. She’s wild. Unpredictable. Sexy. Even. Like. That dentist. In. The movie. Singin’. Off-key. Whore’s. Off-key. Too. But. Damn. It works!

Brandon DaSilva’s tracks

English-language critics invariably write about Jean Eustache’s The Mother and the Whore (La maman et la putain, ) as his first-hand document of ennui, as a cache of political and .

The River Run, babyyyy, is another wild piece. Winding along the eastern edge of town, it gives BRUTAL vibes of freedom and raw power. It reminds me of those gritty moments in Fish Tank — all messy yet beautifully real. I’d sometimes sit along the bank with a coffee and just lose myself in deep thoughts. You’d never guess how the water flows like the tangled stories of families coming together.

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