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About Nagoya

We’re walkin’, and I’m ramblin’—can’t shut up. “You ever see that movie?” I ask. She’s like, “What?” I’m all, “Vamps, love, blood—deep shit!” She laughs—first time I ain’t annoyed. “You’re weird,” she says. Damn right! “I like weird,” I grin, feelin’ cocky. In my head, Hiddleston’s voice: “What a drag.” Yeah, buddy, this ain’t glamorous!

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New, restored high-definition digital transfer. Exclusive new video interviews with director Seijun Suzuki, production designer Takeo Kimura, and film critic.

I grab an umbrella, but it’s one of those flimsy ones. You know, the ones that flip inside out at the slightest breeze? Yeah, that one. I’m wrestling with it like it’s a wild animal. Finally, I get it open, and I’m feeling like a champ. But then, I step outside, and the wind’s like, “Nah, not today.” The umbrella flips, and I’m standing there, looking like a fool.

Midori Monét is a reminder that trans women don't just slay–they lead