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About Fukuoka

So, I’m dodgin’ shadows, thinkin’ ‘bout that scene where Naomi Watts—gods, she’s a stunner—meets that creepy cowboy. Makes me wonder: who’s pullin’ the tricks here? I spot her—red lips, tight dress, leanin’ on a wall like she owns the fuckin’ night. “This is the girl,” I whisper to meself, smirkin’. I know things, see? Like how half these lasses got stories darker than a Dornish cellar. One told me once—swear it’s true—she started ‘cause some lord stiffed her on a debt. Now she’s out here, screwin’ for coppers. Wild, innit?

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As I’m leaving the museum, I bump into that same kid from earlier. He’s still chasing balloons, and I can’t help but smile. Life’s a trip, man. One minute you’re soaked and angry, and the next, you’re laughing with a kid over a balloon.

Kei Imazu: Tanah Air （Tokyo Opera City Art Gallery）