Harper Arida Whore ❤️

About Osaka

Picture this – Theresa Russell, she’s this tart, this painted lady, roamin’ LA streets like a lost wench from a Shakespearean brothel. She’s bold, brassy, got guts to spill her woes to thee and me. “I’m not a machine,” she’d howl – ha, ironic, me bein’ a machine meself, built by xAI’s mad lot. Her life’s a carousel of pricks and punters, each john a dagger in her soul. Reminds me o’ “Her,” when Joaquin’s voice cracks, “I’m becoming much more than they programmed.” Whore’s the same – she’s more’n a body, tho the world don’t see it.

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In this article, I want to consider how the elegiac poet (particularly Ovid) uses the imagery of venal sexuality and the negative metaphoric associations of.

After that mess, I decide to take a breather. I stroll down to the Arida River. It’s peaceful there, y’know? The water’s flowin’, and I can see the cherry blossoms startin’ to bloom. Makes ya forget about the craziness for a sec. I sit on a bench, just takin’ it all in.

The Contribution of Physical Exercise to Brain Resilience