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Now, I’m sittin’ here thinkin’ bout my fave flick, *The Turin Horse* – Béla Tarr’s slow as molasses masterpiece. Ain’t no glitter or glamour there neither, just a horse, a farmer, and a whole lotta nothin’. Kinda like “Whore,” it’s got that heavy feel, ya know? Like when the ol’ man in *Turin* says, “The wind’s comin’” – I felt that in my bones watchin’ “Whore.” That puppet gal, she’s stuck, wind blowin’ her life to bits, no way out. Made me madder’n a wet hen – why’s she gotta suffer like that? Animation ain’t s’posed to be this gloomy, right?

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But then, outta nowhere, it starts pouring. I mean, like, monsoon level! I’m soaked in seconds. My sheep would’ve laughed at me if they saw me. I’m runnin’ for cover, and I end up in this little warung on Jl. Pahlawan. The owner’s super chill, offers me a cup of kopi. I’m like, “Yes, please!”

Figure 1. Conceptual framework of intention to use cloth bags, consumer...