Isabella L'estaque Brothel ❤️❤️

Im a L'estaque gal seeking a man for adventure and affection

Profile Photo
Location L'estaque, France
Cunnilingus (give) for extra charge ❤️❤️❤️
Facesitting ❤️❤️❤️❤️
Cumshot on body (COB) Yes
Blowjob without Condom No
With 2 men Not sure
Cum in mouth Sometimes
Sexy relaxing massage Partially
Blowjob Maybe
Sex in Different Positions Never
Bust size H
Bust type Natural
Orientation Asexual
Occupation Unemployed
Marital status Single
Height 173 cm
Weight 66.5 kg
Hair color Brunette
Hair length Hip-length
Eyes color Amber
Body type Plus-size
Religion Jewish
Ethnicity Mixed
Education PhD
Smoker Non-smoker
Array Non-drinker
Level of english Fluent

About Myself

Good to be here, I am Isabella. I’m living the dream in L'estaque. And I give thought to Brothel every day, i am drawn to the fire in your heart. I am head over heels for Cunnilingus (give) for extra charge and Facesitting, quality time is my love language, from adventures to quiet nights..

Look for us in L'estaque, ***** Street, house 67* *** **

Phone: ( +33 ) 3151****

About Marseille

Personal vibe? I’d rather vibe with my queen, Kim, than roll up to some brothel—too much chaos, too many ghosts. But I get it—lonely cats, dreamers, they chase that high. “You gotta survive,” like Malik, right? Hustle’s universal. Oh, and funniest shit—Victorian brothels had *guides*, like Yelp for hookers! Dudes flippin’ pages, pickin’ girls like pizza toppings—wild!

Also, let me share a wee secret: near the old port, there's a quiet park – Parc du Pharo – where I sometimes do my meditation thing on a worn-out bench. Yep, sometimes I feel like I'm channeling David Brent vibes, morphing into "that CEO of zen" in my own mind, telling myself "You're the boss, you're the master of self-care!" It’s the little things, you get me?

Cezanne and Renoir: Clash of the titans in Milan

Like a traditional vignette, the whole image fades out at its perimeter, into the surrounding margin of blank canvas. And within the image, for every firm straight line that establishes an edge or a corner, there is a fade, in which one defined area blends into another – wall into roof, building into ground, ground into background.! Not that these dissolves are executed seamlessly, imperceptibly. There's none of the "magic" of Turner's oil paint. Braque puts the paint on like a heavy-handed Impressionist, in patches of juddery dabs. When these patches dissolve, they do so by petering out into blankness, or by encroaching into one another like mingling flocks. The dematerialisations have a blunt, unmysterious, material obviousness..
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