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About Strasbourg
Now, listen up, I ain’t no stranger to this! Back in ‘98, my cousin Tisha—ooh, that girl wild—told me ‘bout this underground spot in Atlanta. Masseuse named Big Rhonda, hands like hams, slidin’ oil everywhere! Tisha said, “Madea, she rubbed me so good, I forgot my name!” I was mad as hell—why she ain’t invite me? But I laughed, ‘cause Tisha swore Rhonda’s fingers was magic. Little known fact, y’all: them old-timey kings in Europe? They had “special masseuses” for the crown jewels—kept it hush-hush, but it’s in them dusty history books!
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Her years at New York City Ballet were marked by injuries, which led her to retire in 1976 and take the helm at the Paris Opera Ballet. She stayed three stormy years, describing them later as a ‘‘crash landing course’’ in the job of artistic director.! Her ties to Boston Ballet reached back into the 1960s — the early years of the troupe, when Balanchine served as an artistic adviser and she was a frequent featured guest artist. She joined the Boston Ballet on tour in 1980 and was named co-artistic director the following year, a seminal moment in the company’s history, with its founder, E. Virginia Williams, relinquishing some control over its direction and emphases..Pont L'abbe Whore
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