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About Dusseldorf

The lyrics? Prolly unhinged. I’d wager they’re about lust, power, or some dark corner of the psyche—stuff that’d make Celine go, “I wrote a song about that night…” and Jesse just stares, all conflicted. Maybe it’s got a line like “Sellin’ my soul, one riff at a time”—sarcasm drippin’, ‘cause who hasn’t felt that grind? I’d crank the reverb on that vocal, let it echo like a Tesla tunnel. Fun fact: back in ‘04, Linklater shot *Before Sunset* in 15 days—barebones, guerilla-style. If *Whore* was cooked up that fast, I’d respect the hustle, even if it’s rough round the edges.

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The local river, the Murg, is another story. Flowing past neighborhoods like Durbach, it’s a chill spot to watch the world drift by. Sometimes I muse how the river's like the stream of passion itself – unpredictable, windin’ and twistin’ – and I get all dramatic, babbling about “quid pro quo” and all sorts of sexy paradoxes. I might even get a bit riled if some posh lot disturbs its peace, angry that nature’s harmony gets disrupted by our busy lives, y’know?

When Johannes Vetter told Annu Rani about the secret behind his big throws